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Founded in the 19th century, the British company Jefferies & Co. was a pioneer in racquet manufacturing, trusted by Walter Clopton Wingfield, the founder of lawn tennis. Wingfield himself chose Jefferies to produce the first racquets for his groundbreaking game, Sphairistikè. A milestone in the sport's history. Jefferies & Co, 1884 Over the decades, Jefferies & Co became synonymous with craftsmanship and quality. Later known as Jeffries & Malings of Woolwich, the company merg

The racquet known as The Last Witness  originates from London and dates to the end of the 1870s. It is made of solid wood with an oval striking face, typical of English racquets produced during the final decades of the nineteenth century. The manufacturer remains unidentified, though the form and balance correspond to models used in early lawn tennis. The Last Witness, 1878 The piece was part of a London household destroyed during the Blitz, the sustained bombing campaign car

Vellum-covered battledores were produced in Europe during the first half of the nineteenth century. Racquets consisted of a wooden frame covered with a stretched sheet of vellum. The material was prepared from calf or goat skin and fixed tightly around the rim with small nails or tacks. The surface created a dry and distinct sound when the shuttlecock made contact. The wood was often ash or beech. Handles were short, straight, and sometimes wrapped with thin leather for bette

The game of battledore and shuttlecock was played with small racquets made from wooden frames that were either strung with natural gut, covered with vellum, or covered with leather. The head of these racquets was typically round or oval, the handle short. Strung battledores allowed for more precise and consistent play than solid or vellum-covered versions. 3 strung Battledores By the sixteenth century, battledore and shuttlecock had become a familiar pastime in Europe, partic

The ancient game of Rackets originated in late eighteenth-century London as a game played in debtor prisons such as the Kidderminster Prison and the Fleet Prison. Prisoners used a hard ball struck against brick or stone walls and improvised wooden bats. The environment required elongated strokes and rapid reactions in confined spaces. Racquet from the game of Rackets, 1803 As the sport gained popularity beyond prisons, taverns, schools and clubs constructed purpose-built cour

The antique real tennis racquet from the end of the eighteenth century features the classic lopsided head with a pronounced downward angle. The frame is made of solid hardwood, a material commonly used for racquet production throughout the eighteenth century. The stringing follows the trebling technique, where each cross string is looped completely around the main string. This method produced alternating surfaces on the string bed, one smoother and one rougher, which allowed

Demi-Paume racquets feature a distinct lopsided head with a pronounced downward angle. The stringing follows the trebling technique, where the cross strings are looped 360 degrees around the main strings. The handle is wrapped with leather, and the solid wooden frame reflects the craftsmanship of eighteenth-century makers. Garsault’s Demi-Paume, 1767 The racquet follows the design described by François-Alexandre-Pierre de Garsault  in 1767 . In his treatise Art du paumier-raq

Antique battledore. The Indo-German Legacy Racquet belongs to a tradition of equipment used for early forms of court tennis, a game that enjoyed popularity among European aristocracy from the Renaissance onward. Such racquets were characterized by a rounded wooden head with a loosely strung gut mesh, typical of early court tennis equipment used in aristocratic circles during the 16th and 17th centuries. The Indo-German Legacy Racquet, 1648 Evidence of this distinctive racquet

The Racquet of the Majesty, dated 1583, belongs to the Golden age of Real Tennis, the sport of European kings. The game had evolved from the French Jeu de Paume and became a symbol of royal prestige. Courts were built in palaces such as Hampton Court under King Henry VIII, where the game was played indoors with refined skill and ceremony. Across France, by the end of the sixteenth century, hundreds of such courts stood in use, serving nobles and courtiers alike. In Normandy,

Antonio Scaino, an Italian priest and theologian from Salò, completed Trattato del giuoco della palla  in 1555. The work was printed in Venice by Gabriel Giolito de’ Ferrari and his brothers, one of the leading publishing houses of the Renaissance. It is recognized as the earliest known treatise devoted entirely to the study of ball games in Europe. Scaino described the social context of play at the courts of Ferrara and Mantua and divided existing games into three main types

The tennis ball has come a long way since its inception, showcasing a fascinating journey of innovation and craftsmanship. From the traditional hand-stitched leather balls to the cutting-edge materials and designs used today, each era has contributed to the evolution of this essential piece of tennis equipment. The Evolution of Tennis Balls Early forms of the game were played with rudimentary balls made of wool, hair, or tightly wound fabric, wrapped in leather and sewn by ha

The game we now know as tennis took nearly a thousand years to evolve into its modern form. While some evidence suggests that early forms of ball games were played in ancient Egypt, Greece, and Rome, most historians trace its direct origins to French monasteries around the year 1000 AD. Here, monks played jeu de paume, the “game of the palm,” striking a wooden ball with the bare hand or with a simple leather glove across a rope stretched through the cloister courtyard. The ga

For more than four centuries, from the 1500s to the early 1900s, tennis racquets were made from solid pieces of wood . It was a tradition that seemed unbreakable — until industrial innovation, much like in the automotive world, paved the way for something new. Earlier attempts had been made to build racquets using layered wood, similar to the bentwood furniture techniques pioneered by Thonet. However, these early efforts failed because the glues available at the time could no